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The best review for this album has four words written in one of my friends in chat: "looks like a real thing." That pop electronic matrix of solid, refined and manufactured with surgical precision that finds its best expression in artists such as Pet Shop Boys, Kylie Minogue and voices Swedish export is not a matter for the Italians. There are people who try (or buzz Paola & Chiara Anna Tatangelo in its most recent transformation), but the results are almost never live up to international products. It would be like asking the Swedes to get tested neomelodico: not the result would be nothing credible.
In this desert Italian, bordering a dance scene neglected and overcrowded lands of howler post-or post-Nannini Giorgia, come the Donatella. For those who did not follow the latest edition of X Factor, the twins Provide ended up teaming up with Arisa. The singer and her coach immediately tried to forge a creature pop / dance (attempt already managed very well with Antonella Lo Coco), and even azzeccarono the pseudonym "camp." The Donatella were perhaps the most fun in the race and with their Tommassini had the rare opportunity to play - throwing away the trees of paper mache and other menate conceptual. Their voices, however, did not stand comparison with those of other competitors. After just four episodes, the Donatella returned home, after five months, comes "Unpredictable" and, as the title suggests, was not expecting anyone.
The Provvedi can finally be not caring about uvula from talent: Do not be uvula from talent: they have a strong and - here comes the real surprise - a very good first album, written and composed by a relatively small team that comes mostly from dance . Immediately comes to compare them to certain coupled International: twins Tegan & Sara, the fake lovers tATu, the new heroines of pop-it-like-also-a-Pitchfork Pop Icon, but the reference points are others. The single "Magic" is a clear tribute to Depeche Mode; "Love comes quickly" is a cover of the Pet Shop Boys successful despite being more carefree of the original, and in many passages (especially in "Inner Child" and "Fade to black ") you hear a reference to Ladytron, but also to the last Goldfrapp or vintage Minogue," Thunder ", the best of the album, would be confused without arousing suspicion in the discography of Annie.
Sure, there are weaknesses: sometimes the productions and the voices of Donatella have no depth, but part of the charm of the album is to hear these two androids monozygotic sing with the posting of stories tormented you probably have not lived. When you are removing the scaffolding electronics from under your feet, inexperience is obvious and disastrous, but it happens only in the last acoustic track: in the rest of the disc could hide behind a glacial electropop, but so nice and glossy as the graphics of the cover.
With "Unpredictable" for once you can waste the term "project." It is not a joke, it is an attempt to revive a career that had never begun, it is a record made of a hurry just to support a television product: against all odds, "looks like a real thing."
TRACKLIST:
"Fooled again" (radio edit)
"Inner Child"
"Love comes quickly"
"Magic"
"We arent nothing"
"Waiting for you"
"Thunder"
"Unpredictable"
"The reflection of feelings" "Fade to black"
"Enemy"
"Fooled again" (acoustic version)
