Rashomon (羅生門 - Rashōmon) (1950)
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Rashomon Videos
Cover art, photos and screenshots
Reviews
Truth lies with perspective.
A heinous crime and its aftermath are recalled from differing points of view.
Toshirô Mifune: Tajômaru
Ironically, Japanese critics were not enthusiastic about Rashomon when it was released in 50's Japan.
In today's world, however, Rashomon is generally considere... read more
Good, but vastly overrated.
Akira Kurosawa's Rashomon is a film that I both liked and disliked.
On the one hand it was a visual arresting, superb study of human nature. But on the other hand the film is highly boring not to mention monotonous.
Rashomon opens as a group of men start discussing a heinous crime that unfol... read more
A great movie
UPC: 037429161821
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" Rashomon (1950), based on Ryūnosuke Akutagawa’s “In a Grove,” originally published in Shinchō (1922). "
“No matter how many times you've watched it, you have to watch it at least ONCE MORE!
Only other film even close is SEVEN SAMURAI...” read more
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"4.1. Blu-ray Uusintakatselu. Jäljittelijöistään poiketen ja niistä huolimatta, Rashomon tuntuu vieläkin tuoreelta (50-luvun japanilainen filmi toki näyttää ikänsä oli restauraatio, kuinka laadukas hyvänsä) tai vähintään ajattomalta. Rakenteen erinomaisuus on erinomaista ja ainakin mun näkökulmasta sen hödyntämisessä pitkälti ylittämätöntäkin, mutta tunnelma ja tunteet tekevät vasta kokonaisuuden. Sen ihmiskuvan lohduttomuus ei sinänsä ole mieltä ylentävää, mutt"
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"1950 Top10 1. Rashomon 2. Sunset Blvd 3. All About Eve 4. Justice est faite 5. Le château de verre 6. Konyaku yubiwa 7. Flicka och hyacinter 8. Los Olvidados 9. Stromboli 10. Munekata kyôdai"
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"13.4. Toinen katselukerta, edellisestä n. 11 vuotta. Vähän vahingossa Kurosawalta nyt tulikin uudelleenkatselu merkittävien näkemättömien sijaan, mutta ilolla Rashomonin taas katselikin. Minimalistisuudessa niin tyylipuhdas elokuva kaikin puolin. Väkevä sanoma ja ihastuttava filmi."
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"“The fractured narrative – where you’re seeing a story line from different points of view, perhaps an unreliable narrator, jumping back in time – could have been applied to any topic, something silly, to a question of justice and truth…. What is truth? What’s true for you may not be true for me. Rashomon takes that experience addresses it cinematically in a way that hadn’t been done…. The technique is in every film and TV show now. It’s just part of the way we consume story."