Billy Wilder favorites
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The Apartment (1960)
Perhaps the most beautiful, most powerful moral universe ever created. All of Wilder's themes amalgamate into one coherent combination of selfish, selfless characters. Everyone trying to ease their pains. Everyone going about it the wrong way. Until...
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We will always fall in love with who we are actually are despite who we pretend to be.
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Billy Wilder sees himself as this: a brilliant man hired for his skills who must hide who he really is. We must not be afraid to be truly seen.
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Sunset Boulevard (1950)
Bleak portrait of the creative world. The spider entangles the fly. Madness.
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Ace in the Hole (1951)
To dramatize reality. To turn the truth into a spectacle. We make narratives out of our lives, destroying any chance for peace.
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Stalag 17 (1953)
Men on a mission. Robert Altman could have made this, with less precise, visual set pieces. Holden was Fantastic Mr Fox.
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The Lost Weekend (1945)
The one that won the first Oscar. A little B-movie-ish, but few examinations of addiction are as immersive or personal.
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The Seven Year Itch (1955)
Iconic. Sexual objectification is under the microscope. Desire, temptation. What better woman to use to examine such subject matter?
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The Major and the Minor (1942)
Simple, innocent. An aesthetic forming before your eyes.
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Double Indemnity (1944)
A little too pulpy for its own good. Slick exchanges cover up passivity in characterization.
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