In The Good Girl Jennifer Aniston gets a make-under that would make her Friends character weep, but she finally proves her acting mettle away from the ditzy-but-glamorous Rachel type. A low-key drama from the writer and director duo behind Chuck and Buck, The Good Girl places Aniston's bored shop-girl Justine at the centre of a soul-destroying life in a sleepy Texan town. Like a modern Madame Bovary, Justine's life is stuck in a rut--her marriage is dull and her job at the Retail Rodeo even duller--when a new colleague Holden (Jake Gyllenhaal) offers her an escape. A tortured soul who's obsessed with The Catcher in the Rye and thinks nobody understands him, Holden is a typical, angst-ridden young man. But to Justine he's intriguing and romantic and their shared sense of dejection soon leads to an affair and a short-lived liberation from their daily lives. Aniston could never pass as dowdy but she does a very convincing turn as the crestfallen Justine, using subtlety and dry humour rather than melodrama to convey her quiet desperation. John C Reilly as her permanently stoned husband and Tim Blake Nelson as his creepy chum are both superb alongside her. Even the smaller roles are furnished with some memorable moments: Justine's colleague makes outrageous tannoy announcements to zombie-like customers at the Retail Rodeo. Funny, strange and touching by turns The Good Girl, has its awkward moments but as a quirky slice of life it gets most things right.
On the DVD: The Good Girl offers a feature-length commentary from director Miguel Arteta and writer Mike White that takes a while to get going but does provide some insight and humour. Aniston adds a scene-specific commentary that sadly does little to enhance the viewing of the film; short comments, some with massive pauses, offer little in the way of insight into her breakout performance. Deleted scenes with optional commentary and an alternate ending add a little more bulk where the gag reel (out-takes of the cast laughing) fails. It's not the package the film deserves. --Laura Bushell